Marc Ribot Y Los Cubanos Postizos: The Prosthetic Cubans

Marc Ribot Y Los Cubanos Postizos: The Prosthetic Cubans (uudenveroinen)

Label:Atlantic – 7567-83116-2

Format:CD, HDCD, Album

Country:Germany

Released:Jul 20, 1998

Genre:Jazz, Latin

Style:Afro-Cuban Jazz, Afro-Cuban

Tracklist

1 Aurora En Pekín - Written-By – Alfredo Boloña 5:31

2 Aquí Como Allá 4:51

3 Como Se Goza En El Barrio 3:29

4 Postizo - Vocals – EJ Rodriguez*, Madeline Hunt - Ehrlich, Mattan Ingram, Miles Ingram Written-By – Marc Ribot 4:55

5 No Me Llores Más - Written-By – Luis Martinez Griñán* 5:39

6 Los Teenagers Bailan Changui 4:49

7 Fiesta En El Solar 5:05

8 La Vida Es Un Sueño 3:30

9 Esclavo Tristé 6:06

10 Choserito Plena - Saxophone [Baritone] – Gregory Ribot* Written-By – Inacio Ríos 2:46

Companies, etc.

• Recorded At – Water Music (2)
• Mixed At – The Hit Shack
• Mastered At – Sterling Sound

Credits

• Backing Vocals – EJ Rodriguez* (tracks: 5), Robert J. Rodriguez* (tracks: 5)
• Bass – Brad Jones
• Drums, Percussion [Additional] – Robert J. Rodriguez*
• Engineer [Assistant] – Jeff Wilbanks, Sean Cossey, Wane Dorell*
• Guitar – Marc Ribot
• Mastered By – Ted Jensen
• Organ – Anthony Coleman (tracks: 3, 6)
• Organ, Mellotron – John Medeski (tracks: 2, 4, 5, 8)
• Percussion – EJ Rodriguez*
• Producer – JD Foster
• Recorded By [Additional] – Mike Rew
• Recorded By [Additional], Mixed By [Additional] – Tom Schick
• Recorded By, Mixed By – Andy Taub
• Written-By – Arsenio Rodriguez (tracks: 2, 3, 6, 7, 8, 9)

Notes

" This Cd is a Tribute to the late great Cuban Composer, Guitarist, Tres Player, and Band Leader,
Arsenio Rodriguez.
Most of the Material on it was either written or recorded by Arsenio during a career of more than three Decades,
from the 1930's until his death in 1972."

Marc Ribot y Los Cubanos Postizos (The Prosthetic Cubans) Review by Marc Gilman - AMG

The mastery and vision of the enduring Marc Ribot shine through on this release. Although there have been many attempts to produce authentic indigenous music of various cultures, most have fallen short; this album succeeds in the wake of failure. Ribot delves deep into Cuban rhythms, and indeed the album is a tribute to the Cuban master Arsenio Rodriguez. Here Ribot finds an authentic Cuban sound employing traditional instrumentation: upright bass, wood blocks, cherke, and other percussion sounds.

The performance is inspired, and the band consistently tears through Rodriguez's material, as well as some of their own. Ribot's guitar work nears perfection, and he proves himself to be the most soulful white alive. Songs like "Aqui Como Alla" and "Postizo" confirm these assertions. Although this album does not present the iconoclastic Ribot of The Book of Heads fame, it is an excellent album.

Mark Ribot Bio

https://www.marcribot.com/bio

Click here for Short Bio (pdf)
Click here for Long Bio (pdf)

Marc Ribot (pronounced REE-bow) was born in Newark, New Jersey in 1954. As a teen, he played guitar in various garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. After moving to New York City in 1978, Ribot was a member of the soul/punk Realtones, and from 1984 - 1989, of John Lurie's Lounge Lizards. Between 1979 and 1985, Ribot also worked as a side musician with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others.

Rolling Stone points out that “Guitarist Marc Ribot helped Tom Waits refine a new, weird Americana on 1985's “Rain Dogs”, and since then he's become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss, Elvis Costello, John Mellencamp.” Additional recording credits include Soloman Burke, Neko Case, Diana Krall, Beth Orton, Marianne Faithful, Arto Lindsay, Caetano Veloso, Laurie Anderson, Susana Baca, McCoy Tyner, The Jazz Passengers, Medeski, Martin & Wood, Cibo Matto, Jamaaladeen Tacuma, James Carter, Vinicio Capposella (Italy), Auktyon (Russia), Vinicius Cantuaria, Sierra Maestra (Cuba), Alain Bashung (France), Marisa Monte, Allen Ginsburg, Madeleine Peyroux, Sam Phillips, and more recently Joe Henry, Allen Toussaint, Norah Jones, Akiko Yano, The Black Keys, Jeff Bridges, Jolie Holland, Elton John/Leon Russell, Ceu and many others. Ribot frequently collaborates with producer T Bone Burnett, most notably on Alison Krauss and Robert Plant's Grammy Award winning "Raising Sand" and regularly works with composer John Zorn.

Marc has released over 25 albums under his own name over a 40-year career, exploring everything from the pioneering jazz of Albert Ayler with his group “Spiritual Unity” (Pi Recordings), to the Cuban son of Arsenio Rodríguez with two critically acclaimed releases on Atlantic Records under “Marc Ribot Y Los Cubanos Postizos”. His avant power trio/post-rock band, Marc Ribot’s Ceramic Dog (Pi Recordings), continues the lineage of his earlier experimental no-wave/punk/noise groups Rootless Cosmopolitans (Island Antilles) and Shrek (Tzadik). Marc's solo recordings include "Marc Ribot Plays The Complete Works of Frantz Casseus” , "John Zorn’s The Book of Heads" (Tzadik), "Don't Blame Me" (DIW), "Saints" (Atlantic), "Exercises in Futility" (Tzadik), and his latest “Silent Movies” released in 2010 on Pi Recordings was described as a "down-in-mouth-near masterpiece" by the Village Voice and has landed on several Best of 2010 lists including the LA Times and critical praise across the board. 2014 marked monumental release: “Marc Ribot Trio Live at the Village Vanguard” (Pi Recordings), documenting Marc’s first headline and the return of Henry Grimes at the historical venue in 2012, was included on various Best of 2014 lists such as Downbeat Magazine and NPR’s 50 Favorites. 

2018 saw the release of two politically charged albums: “YRU Still Here?” (Northern Spy/Yellowbird), the long awaited third album from Ribot’s post-rock/noise trio Ceramic Dog, and “Songs of Resistance 1942-2018” (featuring guest vocalists Tom Waits, Steve Earle, Meshell Ndegeocello and more on Anti- Records) voicing anger and outrage during these turbulent times, and both albums landing on various Best of 2018 lists including NPR’s All Songs Considered.

Marc has performed on scores such as “The Kids Are All Right”, “Where the Wild Things Are”, "Walk The Line”, "Everything is Illuminated”, and "The Departed" (Scorcese)." Marc has also composed original scores including the French film “Gare du Nord” (Simon), the PBS documentary "Revolucion: Cinco Miradas”, the film “Drunkboat", starring John Malkovich and John Goodman, documentary films "Joe Schmoe”, “Under the Highline”, upcoming Discovery Channel’s limited series “Queen of Meth”, a feature film by director Joe Brewster titled "The Killing Zone", and dance pieces "In as Much as Life is Borrowed", by Belgian choreographer, Wim Vandekeybus, and Yoshiko Chuma's "Altogether Different". Marc also occasionally performs his live solo guitar score to Charlie Chaplin’s “The Kid”, which was commissioned by the NY Guitar Festival and premiered Jan 2010 at Merkin Hall, as well as live film scores to Jennifer Reeves experimental shorts.

In 2009, Marc was named curator and musical director for the year’s Century of Song Festival, part of the Ruhr Triennale in Germany. The concert series sparked new collaborations with Iggy Pop, Marianne Faithfull, David Hidalgo of Los Lobos, master cajón player Juan Medrano Cotito, Carla Bozulich and Tine Kindermann.

Marc's talents have also been showcased with a full symphony orchestra. Composer Stewart Wallace wrote a guitar concerto with orchestra specifically for Marc. The piece was premiered by the National Symphony Orchestra in Washington DC in July of 2004 and also appeared at The Cabrillo Festival in Santa Cruz, CA in August of 2005.

2021 is filed with a flurry of activity and releases including Ceramic Dog’s “HOPE”, recorded during the pandemic, plus two reissues on vinyl for the first time: 1993’s long out-of-print “Marc Ribot Plays Solo Guitar Works of Frantz Casseus” & “Silent Movies” (2010). Additionally, Marc’s first collection of writings, “Unstrung: Rants & Stories of a Noise Guitarist”, will be published by Akashic Books this August with an audiobook also in the works, and Marc’s original score for limited series documentary, “Queen of Meth”, will premiere on the Discovery Channel.

(Click on photos download Hi-Res versions)