Kuvaus

Violent Streets: The Umberto Lenzi/Tomas Milian Collection
Sis. elokuvat: Almost Human/Syndicate Sadists/Free Hand For A Tough Cop/The Cynic, The Rat And The Fist/Brothers Till We Die
Julkaisuvuosi: 1974-1978
Formaatti: Blu-ray + CD
Ohjaaja: Umberto Lenzi
Näyttelijät: Tomas Milian

Severin Filmsin kokoelmajulkaisu, joka sisältää legendaarisen italialaisen kulttiohjaaja Umberto Lenzin ja Italiassa menestyneen amerikankuubalaisen näyttelijä Tomas Milianin viisi yhteistyötä yhteiskuntakriittisessä, väkivaltaisessa ja useasti sensuroidussa poliziotteschi -genressä.
Sisältää hienon boksin lisäksi myös useamman setin elokuvan soundtrackin CD:llä.
Huomioithan että Almost Human ja Free Hand For A Tough Cop ovat region A -julkaisuja.

Boksi, kotelot, levyt ja soundtrackien insertit ovat erinomaisessa kunnossa.
Kielet: englanti, italia
Tekstit: englanti


Italian director Umberto Lenzi had recently completed a landmark string of kinky gialli with Hollywood outcast Carroll Baker. Cuban-born/Actor’s Studio-trained Tomas Milian had become one of Spaghetti Westerns’ most popular stars. But when these two notoriously mercurial talents came together for a series of shocking Poliziotteschi –reactionary crime films that reflected the political and sociocultural violence of 1970s Italy – they grabbed audiences by the throat, gunned down the conventions of the genre and changed the emotional velocity of action cinema forever. This collection presents Lenzi & Milian’s five greatest collaborations, now restored uncut and uncensored from the original negatives for the first time ever.

ALMOST HUMAN
Released in Italy under the title MILANO ODIA: LA POLIZIA NON-PUÒ SPARARE (MILAN HATES: THE POLICE CAN’T SHOOT), this first collaboration between director Umberto Lenzi and star Tomas Milian remains both “a degenerate treat” (Mondo Digital) and “definitive Eurocrime” (DVD Talk): When a small-time criminal (a fearless performance by Milian) kidnaps a wealthy industrialist’s daughter, he’ll trigger a depraved spree of class warfare, sexual violence, mass murder and the rage of a police commissioner (Henry Silva) determined to end the carnage. Anita Strindberg (YOUR VICE IS A LOCKED ROOM…) and Ray Lovelock (LIVE LIKE A COP, DIE LIKE A MAN) co-star in “one of the peaks of the genre” (Indiewire) written by Ernesto Gastaldi (ALL THE COLORS OF THE DARK) with a classic score by Ennio Morricone, now scanned uncut from the original negative.

SYNDICATE SADISTS
In their second collaboration – released in Italy as IL GIUSTIZIERE SFIDA LA CITTÀ (THE VIGILANTE CHALLENGES THE CITY) – Tomas Milian stars as a biker named Rambo (the actor borrowed the name from David Morrell’s 1972 novel First Blood) who avenges a friend’s murder by orchestrating a war between rival crime families. Director Umberto Lenzi and screenwriter Vincenzo Mannino (HOUSE ON THE EDGE OF THE PARK) pack the running time with a barrage of beatings, shootings, kidnappings and chases that raised the bar for ‘70s EuroCrime and “put modern action flicks to shame” (DVD Drive-In). Luciano Catenacci (KILL, BABY… KILL!), Femi Benussi (BLOODY PIT OF HORROR) and Joseph Cotten (CITIZEN KANE) co-star in this “non-stop exciting thriller” (European Trash Cinema) – also released as ONE JUST MAN and RAMBO’S REVENGE – now scanned uncut from the original negative.

FREE HAND FOR A TOUGH COP
Following THE TOUGH ONES, this fourth collaboration between director Umberto Lenzi and star Tomas Milian – released as IL TRUCIDO E LO SPIRRO (THE CROOK AND THE COP) – introduced Milian’s iconic character of ‘Monnezza’ and served as the unacknowledged template for 48 HOURS: When a scheming convict (Milian) is sprung from prison by a hard-nosed cop (Claudio Cassinelli of WHAT HAVE THEY DONE TO YOUR DAUGHTERS?), they’ll team up to hunt down Monnezza’s former crime partner (Henry Silva) who’s kidnapped a critically ill child. Robert Hundar (CUT-THROATS NINE), Nicoletta Machiavelli (NO WAY OUT) and a murderer’s row of EuroCrime’s most recognizable character actors co-star in this “classic politziottesco packed full of fun action” (Starburst) co-written by Lenzi and Dardano Sacchetti (THE BEYOND), now scanned in 2K from the original negative.

THE CYNIC, THE RAT AND THE FIST
For their penultimate collaboration, Umberto Lenzi and producer Luciano Martino (EATEN ALIVE!) brought together Tomas Milian as a cold-blooded crime boss known as ‘The Chinaman,’ John Saxon as a sadistic American mobster looking for his own piece of the action and Maurizio Merli as hot-headed rogue cop Leo Tanzi – first introduced in Lenzi’s THE TOUGH ONES – gunning for them both. Renzo Palmer (STREET LAW) and Gabriella Lepori (5 WOMEN FOR THE KILLER) co-star in this “fantastic piece of Italian genre cinema and a definitive statement to the craftsmanship of Lenzi” (Cinezilla) co-written by Lenzi, Dardano Sacchetti (THE NEW YORK RIPPER) and Ernesto Gastaldi (ALL THE COLORS OF THE DARK) featuring an oft-sampled score by Franco Micalizzi (DEATH PROOF, DJANGO UNCHAINED), now scanned uncut in 2K from the original negative.

BROTHERS TILL WE DIE
For their final collaboration, Umberto Lenzi directs his own razor-sharp screenplay while Tomas Milian delivers a brilliant dual performance reprising the roles of scheming lowlife Sergio ‘Er Monnezza’ Marazzi from FREE HAND FOR A TOUGH COP as well as his twin brother, hunchbacked sociopath Vincenzo ‘Il Gobbo’ Marazzi from THE TOUGH ONES. With Milian providing his own characters’ dialogue, it’s a potent odyssey of trans prostitutes, armed robberies, double crosses, randy Albanians, angry cops, insane asylums and some of the most startling pathos and politics in the history of the genre. Isa Danieli (SWEPT AWAY), Guido Leontini (EMERGENCY SQUAD) and Solvi Stubing (STRIP NUDE FOR YOUR KILLER) co-star in the long-unseen Lenzi/Milian swansong, now scanned uncut in 2K from the original negative.

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